My current work focuses on exploring the fluidity of identity at the intersection of digital and physical spaces. I experiment with how we reconstruct and express ourselves in the digital world, studying the impact of technologies like AI on identity. In this process, I pose questions about how the digital self reflects, transforms, merges, and distorts the essence of humanity.

My key project, Echoia, visually represents the phenomenon of the fusion between humans and AI, offering audiences the opportunity to reconsider what digital identity is at the boundary between analog and digital. In this work, digital identity is not static but constantly reshaped and redefined by personal movements and interactions.
Within the framework of ‘fluid identity,’ my work observes various entities from multiple perspectives. I examine the contradictions that arise when anthropocentric thinking narrows our perception of objects and, in turn, highlight the invisible within that viewpoint, assigning it new attributes.

Through web-based and virtual environments, digital video, and installation work, I explore the fusion of analog and digital, connecting experiences between the virtual and real worlds and probing the boundaries of these spaces through media projects.






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This work is connected to the 'Antio' project and involves the virtual study of the most important creature in that project, the 'Oensa Ant'. This ant has the ability to secrete a substance called 'Perotox', which has the power to purify the environment. In a dystopian setting, it is the only living being capable of saving humanity, and humans once again rely on the strength of this small creature to survive. In this work, the ant becomes a more important being than humans, prompting a reevaluation of its status. However, it also highlights the duality of humans' relationship with non-human life forms, as the ant is sometimes exploited by humans despite its crucial role.